”The Sleepless Kind oozes class and rewards close attention.”
Andy Fleet isn’t the most prolific of album artists; his last album was in 2013. Which doesn’t really matter; his musical world is not ruled by release schedules, so why not release albums when you’re happy you’ve created something that people will want to listen to and appreciate. And I need to apologise here, this album has been out since March but somehow managed to avoid my attention until now and that’s my loss because “The Sleepless Kind” is a little gem of an album, the kind you want to listen to again and again. Even the cover is a nice piece of art by Alban Low inspired by the song ”Through Closed Eyes”.
The title tells the story; the theme of the album is the night and particularly the musicians who try to scratch a living in those hours of darkness, and those who make the bleary-eyed commuter journey to a day job that enables them to play another night. “The Sleepless Kind” is a tribute to those people who make music because they love making music. Is there a better reason?
“The Sleepless Kind” (which tops and tails the album) is a dreamy instrumental that sounds like it should soundtrack a Raymond Chandler story: gentle piano and moody, muted trumpet of Andre Canniere combine to paint a picture of a jazz club in the early hours, when you stop worrying about the last train and start thinking about the first train.
The remaining seven songs demonstrate the wide variety of influences feeding into Andy Fleet’s unique style. The band is superb with the slower, more evocative songs but goes up through the gears really smoothly for the more up-tempo songs , such as “Been There, Drunk That” and the rollicking seventies, horn-driven groove of “Love’s Enemy”, which tells the story of a collector in a style that hints at Al Stewart and maybe even Gerry Rafferty. “Stolen Years”, a John Lennon tribute, hints at Thunderclap Newman, but “The Hobbyist” and “Through Closed Eyes” are the absolute pivot of the album.
“The Hobbyist” is a powerful tribute to Andy’s friend, the late Iain Bull, opening with some Jackson Browne-like piano, while “Through Closed Eyes” opens with a with a fairly traditional jazz set-up of keys, bass, drums (with brushes, initially) and trumpet and spins out its groove for nearly eight gorgeous minutes, telling the story of the London night from the perspective of an owl, silently watching over the neon-lit streets.
Mainly jazz-orientated, “The Sleepless Kind” also hints at blues, rock, pop and soul. The musicianship is superb throughout, never over-played, and the songs are well-constructed and meaningful. The album oozes class and rewards close attention.
One to listen to in the small hours with a single malt close at hand.
“The Sleepless Kind” is out now on Low Vinyl Records (LV1608).